I missed disco, and its correlated discotheques. This was because I was
too young to go to such disco clubs at that time.
So I had to imagine being in the heart of this craze. After
researching on the hottest disco nightclub in the United States,
Studio 54, I was imagining myself waiting in line to get into the
club. Learned that the owner (who was also the doorman at that time)
made up his own rules on who can get in…and who cannot. I think that
the doorman will at first say that I will not be allowed in because of
my African-American race, but my very curly hair—although I was not in
a full-fledged Afro hairdo—would make the owner reconsider his
rejection, and I would be let in.
What would I see? A sea of colored moving lights, and a sea of colors
in the club patrons wearing platform shoes, three-piece suits, and
a lot of casual garb. Learning from what Steve Dahl mentioned when
he hated disco, I would also have seen ladies don plenty and plenty
of jewelry—the garb that Steve Dahl did not like in the disco craze.
I would have mind the jewelry. I was not into the drugs they had in
the place so I would stay away from that…I would instead focus on
hitting on the right woman or women to dance with, and eventually I
would imagine finding a lady to dance to that is almost like Karen
Lynn Gorney in the movie “Saturday Night Fever”, even if the real
Karen was not there. I would see a very loose but controlled chaos of
dancers either dancing the line hustle, or doing freestyle disco
dancing (letting it all out), or of course, do one of the popular
partner disco dances at that time
made famous by the band Van McCoy and the Soul City Symphony…yes, the
hustle.