Wednesday, January 27, 2016

Dance of the Sugar Plum Fairy—New Ballet Choreography by Charles Joseph Smith (Part 1)

Note: This is only for the first 36 measures of music in this Tschaikovsky ballet number. It was inspired by the original George Balanchine choreography that I saw in this ballet. 

PART 1
Enter from stage left (SL), go towards stage right…(SR)
Forward walk LF                                                                                                                                          1-2
Forward walk RF (across LF)                                                                                                                     3-4
Forward walk LF (across RF)                                                                                                                    5-6
Forward walk RF (across LF)                                                                                                                    7-8
Forward walk LF (across RF)                                                                                                                    1-2
Turning ¼ to L, side RF                                                                                                                             3-4
Close LF to RF, and rélèvé on both feet, bring arms to 4th, facing stage back center (SBC)        5-6
Bring feet down to flat, bring arms to 2nd position                                                                              7-8

PART 2
Hold position                                                                                                                                           1
Side LF, bring arms to 4th (L arm up, R arm down), going towards stage back left (SBL)        2
Cross RF behind LF to end up in 4th position                                                                                   and
Side LF to end up in 2nd position                                                                                                         3
Cross RF in front of LF to end up in 4th position                                                                               4
Side LF to end up in 2nd position                                                                                                          5
Cross RF to 4th, en derrière LF                                                                                                               6
Développé LF on RF, go to 3rd position arms                                                                                     7
Go to a grand battement LF, going towards stage back right (SBR)                                         and
Land LF in 2nd position                                                                                                                          8
Développé RF on LF, remaining in 3rd position arms                                                                       1
Go to a grand battement RF, going towards SBL                                                                            and
Land RF in 2nd position                                                                                                                          2
Développé LF on RF, go to 3rd position arms                                                                                     3
Go to a grand battement LF, going towards stage back right (SBR)                                            and
Land LF in 2nd position                                                                                                                           4
Passé with RF, prepare for fouetté (keep LF on ground)                                                                    5
Fouetté turn, 2 times, turning to L, RF in passé off ground                                                              6
End facing SBC (after turn), with RF over LF in 5th and arms in 4th                                              7
Hold position and movement                                                                                                                 8       
PART 3
(now going towards stage back center, or SBC)
Back LF                                                                                                                                                      1
Cross RF over LF in passé                                                                                                                       2
Back RF (across LF) in 4th position, with full weight on RF                                                           3
Cross LF over RF in passé                                                                                                                      4
Back LF                                                                                                                                                      5
Cross RF over LF in passé                                                                                                                       6
Pas de bourrée en pointe (LF RF LF), going toward SBL, 4th arms                                      7 and 8
Pas de bourrée en pointe (RF LF RF), going toward SBR, 4th arms                                      1 and 2
Pas de bourrée en pointe  (LF RF LF), going toward SBL, 4th arms                                      3 and 4
Side RF, going into 2nd arms                                                                                                                    5
Bend RF and lift L leg off the floor sticking it back for 1st arabesque                                              6
Go now into an arabesque penchée                                                                                                        7
Go back into normal position (1st), with 4th position arms                                                                8

PART 3
(Note: Same moves as in Part 2)
Hold position                                                                                                                                            1
Side LF, bring arms to 4th (L arm up, R arm down), going towards stage back left (SBL)         2
Cross RF behind LF to end up in 4th position                                                                                    and
Side LF to end up in 2nd position                                                                                                          3
Cross RF in front of LF to end up in 4th position                                                                                4
Side LF to end up in 2nd position                                                                                                          5
Cross RF to 4th, en derrière LF                                                                                                               6
Développé LF on RF, go to 3rd position arms                                                                                      7
Go to a grand battement LF, going towards stage back right (SBR)                                            and
Land LF in 2nd position                                                                                                                            8
Développé RF on LF, remaining in 3rd position arms                                                                       1
Go to a grand battement RF, going towards SBL                                                                              and
Land RF in 2nd position                                                                                                                         2
Développé LF on RF, go to 3rd position arms                                                                                   3
Go to a grand battement LF, going towards stage back right (SBR)                                         and
Land LF in 2nd position                                                                                                                          4
Passé with RF, prepare for fouetté (keep LF on ground)                                                                   5
Fouetté turn, 2 times, turning to L, RF in passé off ground                                                              6
End facing SBC (after turn), with RF over LF in 5th and arms in 4th                                              7
Hold position and movement                                                                                                               8      

PART 4
Side LF                                                                                                                               1
Petit batterie passé RF on L leg                                                                                     2
Petit batterie passé RF on L leg                                                                                   and
Piqué to side RF                                                                                                                 3
Cross RF over LF                                                                                                               4
Side RF                                                                                                                               5  
Petit batterie passé LF on R leg                                                                                     6
Petit batterie passé LF on R leg                                                                                  and
Piqué to side LF                                                                                                                 7
Cross LF over RF                                                                                                               8
Side RF                                                                                                                                1
Petit batterie passé RF on L leg                                                                                     2
Petit batterie passé RF on L leg                                                                                    and
Piqué to side RF                                                                                                                 3
Cross RF over LF                                                                                                              4
Passé with RF, prepare for fouetté (keep LF on ground)                                            5
Fouetté turn, 2 times, turning to L, RF in passé off ground                                       6
End facing SBC (after turn), with RF over LF in 5th and arms in 4th                       7
Hold position and movement                                                                                         8      


Want to top off your gas fill-up? Don't try it or you will make a BIG MISTAKE!!!

Now I realize why topping off a gas tank at a station can be dangerous. It is almost similar to a portable circular saw that you use when you pull it out of the wood and suddenly some additional force adds enough "umph" in that power tool to force it so much back that the saw blades directly hit you, causing serious injury.

This injurious phenomenon is called "kickback."

Topping off is a bit like "kickback" in your power saw---in this case--it is not those maiming saw blades that hurt you--it is the gasoline that kicks back out of the fuel pipe of your vehicle, causing a spill of volatile gasoline on the ground, or on the gas nozzle, or in worse cases, ON YOU!!!

Topping off means when the automatic gas pump shuts down when the gas tank is full (you will feel that signature "click" to tell you that the vehicle's tank is full enough), you are tempted to add more fuel to the car by trying to press the nozzle trigger to add more fuel than the vehicle's fuel tank can bear, in order to try to save yourself a few trips to the gas station. Big mistake! Right now, topping off is thwarted in the newer, modern, gas pump systems in most gas stations--once you feel the shutdown click, you cannot add any more gas at all so you don't top off. But at a few other stations, there is still a risk of top-off. Don't do it--because the fuel might "kick back" from the fuel pipe cover of the vehicle and spill its gas on you, creating a dangerous situation. The worst of the dangerous situations is that you could end up on fire by spontaneous combustion by the gasoline alone, even without any sources of ignition (such as static electricity) or sources of fire near the gasoline that you spilled after top-off.

It is not worth the risk!!!

Sunday, January 24, 2016

December 14, 1988 – Rainman – The Movie That Brought Me And My Autism Full Circle!! I Was A Bit Like Charlie Babbitt!!!

NOTE: Even though this movie was already released, I need to tell you that this is my full version of the synopsis of the movie, so I have to warn you that this movie synopsis has spoilers. Don't read on if you have not seen the movie yet--I know most people already have.......
          
          The first time I saw the movie in 1988 , and I think I saw it on HBO or Cinemax, and I was shocked to find a believable character that was almost exactly like me. I was in Beacon School at that time for my autism, and the character, Raymond Babbitt, was in something like Beacon School—at a fictional facility called Wallbrook.
             And I did not even know about what autism meant when I was diagnosed with autism at 5 (about 1974), until I saw this movie! And it made me so shocked that this movie mimicked what
Raymond Babbitt felt in the movie. Right in my heart! That’s why I give four stars for that movie!!!
            Even as an autistic-savant myself, it was going to take not just one watch of this film---but several tries of watching the film, to figure out the premise, the plot, and how it correlates to my own autism-related struggles.
          The premise of the movie seems to be like this---here is this character, who lost two major family members of his (who was Sanford Babbitt, his father, and Eleanor Babbitt, his mother), and is lost in his own world  as a long-term autistic-savant; that is why he had ended up in a special halfway house called Wallbrook, along with other developmentally disabled or autistic people. Charile Babbitt, who works for a company that deals with converting exhaust emissions on expensive cars to make sure that it passes the newly-required Environmental Protection Agency standards (currently dealing with four Lamberghini cars to convert, working with Susanna, his girlfriend, who also works for the business as a secretary and a bit of an accountant), starts to investigate something regarding an inheritance that comes up to a few million dollars that his deceased parents gave to Charlie Babbitt, but Raymond Babbitt doesn’t know that he got the inheritance at all!
         So after Charlie and Susanna go up to Wallbrook to meet up with Charlie, almost suddenly, but almost tries to keep it secret to Charlie—Dr. Bruner, who was the main therapist for Charlie Babbitt for a long time and has a big caseload for him, spills the beans that Charlie is not just a person with ASD—he is also Raymond’s brother!! We see the first overt signs of Charlie’s autistic traits and mannerisms---such as memorizing the words of the pilot open that starts the TV program “The People’s Court”, saying “I don’t know” ceaselessly in a technique known as “echolalia”, and leaning his upper body back and forth as if it was in a swinging motion like a pendulum (and Temple Grandin, a person who had autism in the past, realizes that it is a type of anti-overload defense mechanism against sensory stimuli that can
overwhelm an autistic).
           So with this premise, I can understand the plot.
           With the first revelations that Raymond had autism in him, Charlie takes Raymond, with Dr. Bruner’s permission, out of Wallbrook, but then, sneaks into the car (which Charlie knows almost everything about the car, which was a Buick Roadmaster, Fireball 8 Model) and takes him out of the Wallbrook grounds into the city of Cincinnati, trying to fool Dr. Bruner that it would be a long trip; they go into a hotel and stay in a type of suite room, and Charlie and her boyfriend, after Charlie calls for him to get pizza delivered and other stuff he needs to avoid a possible meltdown  from being out of Walbrook for too long, and Susanna gets so concerned about the major break in Raymond’s routine that she tells Charlie to get him back to Wallbrook, but he refuses. In the middle of TV watching, he recites in full another opening pilot that opens up “Wheel of Fortune”, using the correct, exact words like the voice-over does on TV.
      As night falls, Charlie and Susanna have private sex in one of the rooms to the hotel suite. As the sexual foreplay reaches its climax, Raymond, who had donned a Cincinnati Reds shirt, hears the sexual sounds and tries to mimic their  “blow job” sounds with antiphonal hums to match these sounds. He then enters their room, inches towards their bed. Charlie’s boyfriend realizes his echoing sounds first and demands that he intervene with Raymond fast because he has fraternal ties to him, quickly ending their short-lived intimate romance, and then Raymond is forced to go back (with Charlie’s angry tirades
and let-downs) to his bed and turns off his room’s lights.
             As Charlie re-approaches Susanna, who is falling half-asleep in a bathtub full of soap, he tries to touch Susanna’s shoulder with his hand but she quickly backs off, and there is an explosive argument that turns ugly for Charlie. Susanna states that she had enough of him lying about
the inheritance and not talking about that money (the few million dollars that Raymond got) until it was too late. Susanna decides to end that relationship immediately, saying that “you are using Raymond”, but Charlie retorts vehemently that he is not, but the girl still had enough. She darts out of the hotel room with her possessions that she really needed (her purse, her clothes that she wore on that day), never to be seen again, and slams the door. 
            Now Charlie is all alone with Raymond, and then, there is a phone call from Dr. Bruner, stating that it is urgent that Raymond is sent immediately back to Walbrook. He knows that he is probably risking prison time for kidnapping him, but Charlie tries to stall Dr. Bruner, saying that there will be a civil domestic fight in court soon. So, he will try to fly this person on a plane to Los Angeles as they go towards the Cincinnati International Airport.
          But before they go to the airport, they stop at a café, where a waitress drops the toothpicks, and Charlie remembered the exact number of toothpicks that he saw with one swoop. Then there was the problem with the exact placement of the pancakes that he wanted and he got into a fight with Raymond regarding it.
           As they ride in the Buick towards the airport, he does another type of “echolalia” when the voice over on the car radio says “97X…(lower glissando to space shot)….the future of rock and roll!”, responding with “97X…baaaaammmmmmmmmmmm, the future of rock and roll,” which Charlie did not like and was too annoying. This was the first barrier to him and Raymond getting to Los Angeles, his original house.
         Now at the airport, while Raymond sits in a desk watching on a portable TV and being uber-fixated on it, Raymond finds out from a phone call that the 4 Italian luxury cars are threatened with being placed on a lien because he failed to pay for the conversions on time—they are “past due”. So, as Charlie forces him off the desk and stand up and head towards the airport gate, he sees a few airplanes and tells him that he is afraid of airplanes, and mentions some of the major airline disasters that he knows quite well, down to the flight numbers, and the exact dates of the crashes. Charlie tries to tell him that flying is safe but Raymond retorts and does not want to fly. He says that the only plane that does not crash was Quantas, but Charlie did not like it still because it would mean an extremely far trip to get to LA. So as Charlie pulls Raymond towards the boarding gate, Raymond explodes into a screaming meltdown and then has to give in to Raymond’s demands, and decides that they will not fly, walk away from the boarding gate, and then they decided that they will take the car to L.A.
       So with the Buick Roadmaster getting out of Cincinnati into a major interstate highway, they run into a crash scene, and then Charlie tells Raymond that that major interstate had been known for too many crashes. This infuriates Raymond so much but he has to give in, now because he realizes now that he will not get to L.A. in 3 days….it will likely be 10-14 days now.  So as they go on a secondary road going westward towards L.A.  and go into Missouri in a rest stop restaurant, Raymond tells him that you do not go out because at that point, it was raining. It was not because he was afraid that it would be thundering with that rain (some autistics have sensory overload issues with thunder and lightning), but it was he had some hydrophobia especially in the bathtub when it had running water, and rain was like a bathtub with running water to him.
       As they go deeper into the Midwest right into the Plains, he attempts to take the wheel of the Roadmaster car very suddenly and almost had an accident, and he tells him never to do that stupid act again, and then mentions that he left his boxer shorts at Walbrook and needs these shorts at Kmart, and repeats this phrase without stopping, angering Raymond so much that he decided to go into a quaint town in the Plains to stop at a therapist’s office. At the lobby waiting area, the receptionist says mistakenly to them that he is “artistic” but Raymond responds that he is “autistic”.  At the therapist’s office, the therapist tries some math problems for him to solve. He could solve some very difficult mathematical calculations, but not simple calculations at all—a big, big tipoff that Raymond has Asperger’s.
        Now, as they go into the edge of what is now the mountain area towards the Southwest, they stay in still another motel, and Raymond realizes that a lien was placed on his credit card, rendering it useless, as he was trying to pay for the room with the credit card and found that it was rejected, so he had to pay in cash. In the motel, Charlie utters one of the most famous songs—a bit of the Beatles’ “I Saw Her Standing There” just near the motel room’s bathtub, and Raymond shows a photo important to Charlie, and then goes to put it right on the bathtub drain, turns on the water and then Raymond explodes into another outburst. Raymond does calms down, and realizing that Charlie needs to go back to Susanna (her former girlfriend), he does with one phone call, saying that he was sorry and he wants to reconcile, while Raymond gets his much-needed sleep.
          Now, as the Buick goes right into Southwest territory, right into somewhere into like New Mexico or something, Raymond is fixated on certain things across the highway or along it. Charlie eventually
makes another rest stop to a laundromat, where he puts sunscreen on Raymond’s face to keep him from being sunburned. Then Charlie gets the bad news for the business from her reconciled girlfriend, Susanna, saying that the credit card company repossessed the four luxury cars for defaulting on the $80,000 payment, and is threatened with the end of the business if the payment is not given in a few days. With that, he goes into the open sand area from the phone booth and just like Raymond’s meltdown’s, Charlie explodes into a meltdown with a tirade---“Son of a bitch!”
         Eventually, they go into the heart of the Las Vegas strip and past Las Vegas to a suburban hotel close to this famous city, and at its restaurant, Raymond finds something that has to do with the card playing that is very common at the casinos of Las Vegas (craps, poker, blackjack, and the like). It is a jukebox, and the song selection area had certain numbers and titles related to those numbers. As if he was an expert numerologist, Raymond was able to recite all of the numbers related to the hits in the jukebox, which amazed Charlie so much. So Charlie had a big idea.
       Outside in the daytime, knowing that he had owed $80,000, Charlie did a quick test on Raymond in blackjack, pretending to be the dealer and being in the card area throwing random cards on the front of the Roadmaster. He then tells him what cards he had left---and mentioned the exact number names of the cards, and he got it on the nose! With that, he and Charlie take a turn back east to Las Vegas.
       So with that, Charlie explained the basic house rules of the Las Vegas casinos and warned Raymond never to count cards at all in public. Ever!
       So, to get ready for the casino in Caesar’s Palace, they go into Las Vegas, first to a pawn shop to get rid of Charlie’s watch, and then, go to a clothing store in Caesar’s Place to get dress suits, and finally, go down to the basement to the casino area. I realized that Raymond had a bit of visual sensory overload and auditory sensory overload…mainly from the flashing lights from the prize indicators, the moving slots in the slot machine, the alarms ringing when someone wins a prize at the slot machines, and the othervarious noises from the casinos. Raymond was slightly scared but there was no major outbursts from him.
       And finally, deep into the casino area, they head to the blackjack table along with other blackjack players. Their first entry was the first 2 cards that hit 18. And then the dealer gets a Queen, which at first Charlie did not like, fearing they could lose the hand and the house would win. But 4 Queens later in the return hand, and Charlie wins, saying that “I love this town!”
       As they amassed winning chips, after winning chips, after winning ships….from red colored chips, to white, to gold, to black……the security personnel in the “eye in the sky” over the blackjack table got very suspicious, especially Mr. Kinsler, the head of security at Caesar’s palace, because they were winning in the 6-deck shoe area of the blackjack table without stopping for too long of a period of time, so Mr. Kinsler tries to tell his buddy, Sam to get on that table Charlie and Raymond are in, which was no. 47. The workers at the security camera area under Kinsler’s control at first see nothing illegal
that they were doing in the table, but now get nervous saying that either one or the other is “counting [cards] into a 6-deck shoe.”
          Well, the characters that played Anthony and Cleopatra and other casino friends were attracted to the table, not just security, which made them quite famous. Eventually they stop as they amassed $83,000 in winnings, as Raymond hears something grinding just close to their table….it was a roulette wheel, and he gets attracted to it so much and wants to see it. It has been mentioned earlier that some autistics love spinning things and that was why Raymond went to that roulette, Charlie realizes it and says you cannot get out of the blackjack table during a hand in progress, but suddenly, Raymond says the number “20” as the roulette wheel operator spins the wheel, and repeating the number “20” lots of times beckons Charlie quickly that the roulette arrow stick will land on 20 after the wheel stops spinning….so Charlie drops the $3,000 in chips to the roulette dealer on that “20”. The wheel slows down, and then stops almost exactly on the “20” but the stick then goes on the next number…which is “1”, and completely stops at the 1. Charlie is out $3,000, but Raymond doesn’t realize that he lost that small $3,000 bet, tries to hug him but he does a very brief acute meltdown (he was probably upset about the lost bet). They decide to cash-in and play later.
         At the collection table at a restaurant just near the gambling area, they collect the money, and realizing that they will have a hotel room because of the great time they did at the blackjack table (saying that it was “comped”), Charlie treats Raymond to the Life of Riley in Vegas,  He tells him to wait on the bar table, and then, an unsuspecting blonde-haired lady, is attracted to him and approaches Raymond—her name was Iris. Charlie holds back but watches their move to make sure that Iris doesn’t do any prostitution on Raymond.  Regrettably, as Iris and Raymond converse with another to get to know each other, Raymond tips off her friends saying “We’re counting cards”, and then, Raymond gets way off focus with a sudden new phrase, “Are you taking prescription medication?”, and Iris did not like it at all, and decides to end the conversation, and their possible date relationship as well. Charlie realizes that it is over, so Raymond is taking upstairs to the High Rollers Suite (which in my guesses can cost somebody about $1,500 a night), but it was comped so the hotel will take the tab—not them. Charlie understood some of his autistic traits so that high-rollers room needed to be a bit like Walbrook. His bed is very close to the window. He recalls (Charlie) that we mastered the Las Vegas casino, although losing $3,000 in roulette. But at that point, Raymond is still think of Iris even though Iris left him for good and has strong surrealistic hallucinations about having a date with Iris and wants to dance with Iris.
         So, with no ladies around, he was the one to teach Raymond how to slow dance on the date.  He tells him that even with the tactile sensory overload problems he has, he tells him that you have to
touch when you dance, and Raymond almost bows out but does give in, and realizes that Charlie had to touch him pretty slowly or Raymond would explode. Eventually, they go into closed position…and
then intimate closed position, with swaying motions (I suspect the swaying motions negated any possibility of overload from tactile means), as the famous old-time cabaret blues number, “At Last” (sung by Etta James), wafted from a portable radio in the suite.
        As the dance ended, Charles congratulated Raymond with I think a hi-five, and tried to hug him, but then, as he tried to hug Raymond, Raymond darted away and exploded in a very acute but short-lived scream (his uber-defense mechanisms against tactile sensory overload kicked in).
        Somehow, Susanna, by surprise, finds the high-rollers suite, knocks on the door, and is let in, and tells Charlie that sadly, her business is now bankrupt due to the default on paying the loan, but she is worried about Raymond in Las Vegas because it is known as the “sin city”, and Las Vegas can make you bankrupt if you are not careful when you are rolling the dice. Susanna then hears that Raymond’s date with Iris is coming soon, and she realizes that Raymond was uber-fixated on that portable TV.
       They go downstairs to an area just near the gambling table, into a sort of music area where a jazz singer with a small jazz ensemble was playing; however the portable TV that Charlie had carried tipped off Sam, and they approach Susanna, Charlie, and Raymond. Charlie is then summoned to see Mr. Kinsler, and hence has to leave Raymond and Susanna alone for a few minutes. At Mr. Kinsler’s security office, their security team catches him in the act of counting cards in a six-deck-shoe in a way that the house could lose a lot of money. They do not arrest Charlie for illegal acts, but because they found out the secret of how Charlie makes that money from the house,  they demand that Charlie get all of the winnings and get out of Las Vegas, even with Charlie’s reluctant response that they were not doing anything in that table to get them arrested.
        Meanwhile, Susanna, realizing that Raymond will not get the “Iris” date, makes a compromise by doing something like a semi-simulation—she pretends to be Iris, goes to the elevator, closes the elevator, and then, responding to Raymond’s words, tries to kiss Raymond. Almost had an outburst at that point but at least Raymond accepts, and after the kiss, Charlie says that it felt “wet”.
       Back to the Roadmaster outside Caesar’s palace, Raymond finally is allowed by Charlie and Susanna to drive through the fountains of the Caesar’s Palace for fun, rather slowly, and eventually gets out of Las Vegas to one part of Los Angeles, where Charlie drops off Susanna into a transitional house in order to help her get employed again, and leaves Susanna there.
       Finally, Charlie and Raymond are back in Los Angeles, and finally into Charlie’s own house. Mr. Bruner then calls again and tells Charlie to meet up with him and his crew in a few days to figure out how to deal with Raymond and whether or not to charge Charlie with kidnapping or not.
        Meanwhile, Charlie helps Raymond feel better about the different house than it was when he was in Walbrook, giving him some things that were his favorite in Walbrook, like the VHS video of “Who’s On First Base” by Abbott and Costello, and a TV where he can sway forward and back when he danced, and some orange juice.
        Dr. Bruner and Charlie do meet up face-to-face in a preliminary chitchat outside in a plaza and Bruner is extremely worried that Raymond could end up either in a mental institution for the rest of his life—or even in a jail cell arrested for a crime---or even commit suicide because of his autistic traits. So as a lure to bring Raymond back home to Walbrook and an attempt to get Bruner’s custody of Raymond again, Bruner gives him a check of $250,000 (on the condition that Charlie surrenders Raymond to him so that he can take the money unconditionally), but because Charlie knows this person so much and is still not really trusting Bruner’s realization that Raymond is Charlie’s brother, he refuses to take the check and walks away.
       On the next day in Charlie’s home, Raymond was baking something in the microwave oven and something was burning and smoke wafts up from the oven all the way up to the ceiling where a smoke alarm is hanging. Raymond was just walking about in that area of the kitchen until suddenly, the smoke alarm shrieks and the continuous, sustained din causes him to burst out into an auditory sensory panic, hitting his head at the door numerous times, waking up Charlie, and then, he realizes quickly that Charlie is in a panic, and turns the oven off, and then, has to find a long object to turn that smoke alarm off---he finds a long broom and then he pokes the stick part of the broom at the alarm until the alarm disintegrates and the alarm stops shrieking. He then quickly tells Raymond, “Raymond! Raymond! It’s over! It’s over! It stopped!” Raymond stops hitting his head but is still swaying a lot.
Then Charlie sits down disappointed, realizing the unstoppable autism that he has, feeling that it was a bit useless.
      Then, finally at a café in Los Angeles, there is a bit of a scenario at a malt shop where Charlie makes a joke about the pancakes that he had faced in another café in Cincinnati, where Raymond had now felt less panicky and starts to laugh a little bit.
     Now, Charlie and Raymond go into a lawyer’s office to meet up with Dr. Bruner in a special office. They are informed that no kidnapping charges will be placed against Charlie but it is going to be a major decision involving keeping Charlie with Raymond or sending Raymond back to Walbrook. The Bruner team, before they decide what Raymond would do with one choice or another, tells Raymond several questions about the cross-country trip.
      As the decision is attempted by Raymond, he has reciprocity problems with answering the question, saying that he wants to go back to Walbrook and live with Charlie Babbitt, but the team says to Raymond that you cannot do both. Eventually, Raymond decides—with strong reluctance and delay, to go back to Walbrook. As the team leaves and leaves them alone with Raymond and Charlie, Charlie consoles him on making that pretty difficult decision, and he is going to try to do everything he can to help Raymond…even with his continued autistic traits that had continued.
       So, as the movie concludes, Charlie and Raymond go to the Amtrak Train station, and gives him going-away gifts that he had in Walbrook, including cheeseballs and a portable TV, and tells Raymond that he will come back to see him in a few weeks…and to make it a bit of a surprise, Dr. Bruner is the special conductor for his own car, and as he lets Raymond leave to get on the train, he sits with Bruner side-by-side,  in the same row seat. Then, in his semi-formal dress on a sunny day, we see the train starts to roll out slowly, and then pick up speed as it goes away. All alone on the train platform as the train goes away, Charlie sits still and realizes that he now needs to go on with his life—he will see Raymond someday, when he comes to see him again.
      

        

Sunday, October 25, 2015

A Little Detail on One Big Event in Space That Happened Just Before I Was Born – The Apollo 13 Mission That Almost Led To Death of the Three NASA Astronauts On Board


     Of course, Apollo was the famous American space project of 
manned rockets from NASA (National Aeronautical and Space Administration),and Apollo’s mission seemed to put American astronauts in orbit, or to the moon. It was, from reading American history and studying it as a teenager, a prelude to a new swath of space missions from NASA—called The Space Shuttle.

   It is pretty admirable and felicitous that Apollo 11, of course,
was the most-famous of the Apollo space missions—urged on by President John F. Kennedy at the time. It was that mission that involved a successful first moon landing of an American spaceship, and where astronaut Neil Armstrong walked from an already-landed LEM (or lunar extraction module) into the partial gravity milieu of the
moon with his timeless quote on his own comlink – “one step for
man….one giant leap for mankind.” All of the astronauts then went from the moon to the earth and re-entry to the atmosphere and splashdown went almost textbook perfect with virtually no problems. So it took watching the film “Apollo 13” (1995) to figure out what would be called one of the most unorthodox missions than any other Apollo mission in NASA’s space history.

    Now, Apollo 13 was going to get its shot like what Apollo 11 did---another shot to the moon. But there would be no Armstrong on the flight – three new astronauts joined up for this mission. They would be Fred Haise, Jimmy Swigert, and Jim Lovell. Ken Mattingly was going to be the lunar module pilot but regrettably contracted the measles indirectly with no chance of being protected so he was kicked off the primary crew and Jimmy Swigert came in Ken’s place.

    On April 11, 1970, at 1:13 p.m., the rocket blasted off, and about a few minutes into the blast off, one of the 5 engines prematurely shut down and there was a bit of fear that the mission would be scrubbed but Mission Control said the mission is still go.
At 12 minutes and 34 seconds, final main engine cutoff and that was
it. 

    Apollo is now in orbit and eventually takes its route from orbit to the moon. A required docking configuration to allow landing of the moon took place—called CSM (or Command and Service Module) docking—and after the dock was completed with success,  then the LEM (the lunar extraction module) did its extraction from the outer skin of the spent main rocket and the Apollo 13’s LEM, as well as the service module and the command module (all attached to the LEM) was destined for the moon. 

    The mission was for Apollo 13 to land on an area of the moon called the Fra Mauro highlands, an area not used by the Apollo 11’s LEM when it landed on the moon.

    Then, the order from Mission control involved stirring the two
oxygen tanks around the SM (or service module) of the spacecraft. The cryostir, as it is called, is started by Jim, starts and then, master alarms go off, then several loud bangs and shimmies, and Fred, Jimmy and Jim realize that something major is happening to the craft—in a very serious way, but not to their liking. Then even worse for the spaceship as the crew finds out more master alarms go off, and they respond to them. They shut off main switches and start others, and as they try to go around the ship to find something wrong from that famous quote Jim said, “Houston, we have a problem!”, Jim finally finds the culprit of the series of problems outside—-from the part of the SM where the explosion happened….venting of something, a gas…and Jim realizes that the spacecraft is leaking oxygen. Mission Control is astounded, and so are they. Now, Mission Control realizes that 2 fuel cells responsible for the oxygen needed to shut down, and the astronauts do shut down the cells, but sadly, Jim tells the other crew members the sad reality…“We lost the moon.” Then, they realize that the explosion caused a major loss of battery power in the other undamaged parts of the spacecraft, and fearing that they could die in the middle of space with no battery power left to go home, they decide to turn off any unnecessary power to the command module and move their operations to the LEM. But a wrench came into their attempted shutdown came when they temporary lost guidance and gimble control of the spacecraft, and realizing that the spacecraft could go way off course and not reach the moon at all, the astronauts did find a way to get back control of the spacecraft with help of Mission control, and finally, control of the ship was gradually going back to normal. 

   Turning off the command module would create an awful side
effect of losing any heat power from the batteries but it had to be
done, so the command module’s temperature eventually went down as
low as 10-15 degrees while they were quite warm in the LEM.

    But there was another problem as Mission Control decided that
the best way for them to return home was a FRT (Free-Return
Trajectory); Mission Control feared that if they re-fired the SM
engine that was damaged, another explosion would result and could
cause complete disintegration of the whole spacecraft and all three
astronauts would die, so the best careful option was to get them
around the moon without landing on it, and then make a re-fire using
not the SM engine, but the LEM engine. And it cannot be done until
they went around the moon, so Apollo 13 went around the moon and
headed towards Earth.

    So, as the astronauts felt the freezing draft from their powered-off CM, Mission Control’s data readout for the saving off power was underestimated and they learned that if they continued to keep the LEM at full power at that point (because the mission specialists now feared that unneeded amperage in the LEM had caused a rapid wasting of necessary battery power, which means power would die and re-entry would be impossible), the spacecraft would miss way off their re-entry mark and miss Earth entirely and the crew would die of hypothermia and starvation if they missed re-entry). So Mission Control placed a dranconian measure on the crew—the astronauts were told to turn off unneeded power to the LEM, and that included the heat too. 

So the astronauts were now faced with much more cold (at this point, temperatures went down as low as -5 to 0F--enough to create ice) and
even worse, Mission Control had found out that the CO2 scrubbers were compromised in the explosion, and caused an increase in concentration in CO2 levels in the spacecraft (the gauges for the C02 levels already were at 8-9, and were going to go past 15, which meant the astronauts would pass out from hypoxia from excess CO2 exposure and eventually black out and die); and not only that, what made it worse for this new problem with the CO2 levels was that incompatability of the scrubbers (the mechanisms that kept excess CO2 out of the craft)because the LEM scrubbers were round and the CO2 assemblies on the LEM were designed only for square scrubbers. 
So Mission Control made up an idea to use the different-shaped scrubbers just in time just before the astronauts passed out from asphyxiation from breathing in more and more CO2 that infiltrated more of their area. That idea worked and eventually the CO2 levels were back to normal—and not dangerous—-levels.

    Now the crew, very cold and very weary, had to do what is called a CCB—corridor control burn, a very special type of burn probably never been done on other Apollo missions, with the LEM engine. And when the LEM engine fired, Mission Control still warned them from using the computer to control the corridor because they still needed to save power in the LEM for re-entry, so they had to do all of that stuff manually using manual controls, so Fred was picked to control
the manual features of the craft that especially controlled the pitch and Jimmy controlled the time, and Jim did the rest – using the earth as a focal point. Then the LEM engine fired and it did fire, and then when shutdown happened, they got good news from Mission Control. The new data came out and said that they have enough power left to go to Earth.

   In the meantime, Ken Mattingly was forced up from his sleep by
NASA officials, explaining what happened to the Apollo spacecraft and was ordered into a simulation area that involved a replica of a
command module. Ken was to figure out the power-up sequence for the
command module that was powered off and the object is to get enough
amperage but not too much of it to cause a total permanent shutdown
of the craft. Several tries failed in his planned sequences, but then, just at the critical mark, he found a power-up sequence that would work. There was about at least a 30-minute delay for the crew to getKen’s power sequence to them so they remained really cold until then.

    Then, it was time. Ken’s successful sequence is rushed to the Mission Control room, and then, he gets the main comlink to the
astronauts. The main worry at the start of the power-up was conden-
sation on the panel controls—which could mean a short and the whole
sequence could fail if it happened, but each one of the power
apparatus was lit one at a time – and finally, the computer was on
and that was it—everything was back on. Now the worries are on the
pyrotechnic batteries for the parachutes—were they frozen up when thecommand module had to be turned off?

    Now, with the earth becoming bigger and bigger every time, it
was time to say goodbye to parts of the Apollo 13 spacecraft with
two jettisoning procedures. First, they had to separate the SM,
which they did, and they saw the major damage to part of the
spacecraft due to the oxygen tank explosion. Then, as they tried
to make sure that the pyro batteries were still good, they had to
move everything they needed into the command module just before they
had to say goodbye to the LEM with another jettison procedure that
separated the LEM from the command module. The separation was
successful but it was sad to see that ship that saved them from
complete doom go off into the vast regions of space as simply “space
junk”.

     Now, the biggest worry was the heat shield on the CM. Did it
get damaged in the explosion? (If the shield was damaged when it
re-enters earth, the whole craft would burn up and all three crew
members would die of incineration.) And what about the parachute
batteries? (If the parachute batteries do not work and the chutes do
not open on splashdown, the spacecraft would land in the water at 300 mph, and even with seat belts, the astronauts would still hit their heads so fast and die of traumatic concussion, instead of 20 miles per hour if the chutes were to work.)

   As they was about to go into the earth atmosphere, fortunately, the computer aligned the craft for re-entry, which would be somewhere near Iwo Jima in the Pacific, but sadly, there was a typhoon approaching near the splashdown zone. But Mission Control decided that it is still time for them to go home, so with radio silence completed for about 4-5 minutes as the CM goes into re-entry and the craft goes into a fiery wick, everybody who was involved in the mission were holding its breath – worried that the heat shield could not work. 

    The hope for the astronauts now was that the craft would survive re-entry so they can go out of the radio blackout zone and tell Mission Control that it was a successful re-entry.

    Then about 5 ½ minutes later, word from the crew to Mission
Control—the re-entry was successful – the heat-shield did its job
and the parachutes finally opened up several miles above the water.
Then the water embraced the craft as the CM splashed down into the
open water and just floated there. A battleship approached the CM
and rescued the 3 astronauts who were finally home after what would
have been a disastrous mission.

Thursday, October 22, 2015

A NEW ASIDE – I See Some Major Changes in the CTA Rail Cars

      I realized that there is a new series of transit rail cars by the CTA called the 5000-series.  The
2400-series rail cars are still used by the CTA but because of the recession and the need to get rid
of outdated items that can cause budget-busting maintenance repair costs in the future, I understand
that these 2400-series cars are going to be eventually phased out. I can remember those 2400-series
cars being awashed in red-white-and-blue (an allusion to the 1976 Bicentennial) with untouched parts
awash with dark and white gray trim. I also observed that the front and rear ends of the trains also
featured 8 LED buttons with the colors red, yellow, green and white on one side, and the reverse colors on the other, almost resembling the pinwheel multi-color setup on the top of Comiskey Park’s
exploding scoreboard.  Later on, I observed that there was another line of 2400-series cars that did not have the American flag colors aforementioned and only were white and two shades of gray on its
exteriors.
      I was informed on TV news that starting January 15, the 2400-series cars will be like the dinosaurs, 8- track, and Betamax recorders—no longer in service anymore. Dead.
    How did I feel about the end of the 2400-series? Not terribly angry, but with the main complaint of
these cars I rode in hundreds of times---the iconic squealing on the trains’ banks left or right, and the
hard bumping noises as the trains go past the interlock track sections (that is, where the tracks seem to crisscross---these tracks are often used for re-routing purposes), I felt a bit of relief that the old series trains are going to be gone.
        So, as I experienced my first rides on the new CTA 5000-series cars, let me tell you what I
experienced…

1.               I realized that the “door closing” signal now has a doorbell sound and the pre-recorded message
that said “Doors closing”. As an extra precaution, there is an additional warning signal, 2 higher-tones released 3 times just before the doors close---an indirect allusion on how they close doors
in the Parisian subway trains.
2.              In the past, those train cars I saw did not have too many sideward-facing seats, but now, I realized that the new car series have much more sideward-facing seats, eliminating almost all
of the forward- and backward-facing seats. I am guessing that this would allow extra standees
to be in the aisles during the rush hour.
3.               I also realize a bit of a quieter sound—the new car series is welded better, so there is less
outside wind noise, even as the train goes through aboveground or on the subway at 50 to
60 mph.
4.                In the old cars, especially the 2400 series, the major complaint also comes in the door area,
especially the swinging type of doors, which give off loud squeaks as it opens or closes.
     I can only guess that this was caused by not lubricating the areas of the doors that can trigger such noises. In the 5000 series, you hardly hear a squeak, so I think the lubrication in those doors were much better.
5.                 I saw that the cars’ interiors and exteriors now have LED signage, and in the interior, you get
a lot more information on screens at the ends of the car, indicating time, date, the next
station stop that is going.
6.                  CTA in the 1990s cut back the door operators during hard times when the CTA had to cut
its budget several times in the 2400 series cars, leaving the motormen and motorwomen
much heavier responsibilities of calling the stops and opening the doors. But in the 5000-
series cars, I realized that conductors have less responsibility thanks to pre-recorded messages.
7.       Better aesthetics color-wise on the 5000 series—I observed that the seats, that were
lavender trim with dark brown in the 2400-series, are now light blue trim with dark blue
seats. Guessing that because the CTA had been a watering hole for robberies and crime
in the past, I am guessing that the CTA used “blue” as some color that tries to depict peace

and calm. 

Sunday, October 18, 2015

PREPARING FOR JURY DUTY – PART 1

Just in case I do get a jury summons and I have to go to court to possibly serve jury duty, I was thinking of doing a checklist of my own just in case I do end up as an active juror (which I hope I do not get).

Right now I am writing down what cases I could possibly have to serve in in court. Here I lay out what I know about the civil and criminal offenses where the defendant may be charged with and the possible defenses to them.

CIVIL TRESPASS
--the act of entering a property when you are unauthorized to do so
--the person trespassed usually will warn the trespasser of being sued, and then the trespassed sues the offender if that offender does not heed the warning
--Often happens in rural and country areas, such as farms

Defenses to a Civil Trespass Charge
--the person has an authorization to be there
--the person has a permit or license that allows that person in that area
--the person is a family member or friend
--the person who already had warned the person that one is trespassing fires a warning shot using a
  firearm, or, in worst cases, fires a shot directly at the trespasser, whether or not the shots hit the
  person or miss that person

CRIMINAL TRESPASS
--usually happens only in city or urban areas, and less often, college towns
--the modus operandi is the person enters the building or place of business when he is not authorized to do so
--often trespassers are wanderers, lollygaggers, or homeless people who sleep in such establishments without consent, necessity, or a reason to be in there.
--also usually happens when an unauthorized person remains in the business location after closing hours, where the person refuses to leave the place after being warned during closing hours
--usually such trespassers will be given warnings to leave the area, and refusal to leave will mean either an escort by police off the premises in the area one had trespassed, or, in most cases, lead to an arrest for criminal trespass

Defenses to a Criminal Trespass Charge
--the person has identification or authorization to remain on the property
--the person is an employee, faculty member, or staff member of the building involved (especially colleges and universities)
--the trespasser had an official copy of the lease if one was in the apartment and one trespassed
--never had any intent to commit burglary or other crimes when that person is caught trespassing
--has no criminal record or arrest record for criminal trespass
--mental unstableness or mental incompetence

SHOPLIFTING (aka RETAIL THEFT)
--Usually falls into two major categories under the states’ penal codes
   Misdemeanor retail theft (usually carrying penalties of up to 1 year in jail)
   Felony retail theft (usually carrying penalties of up to 2-5 years in jail)

--shoplifting is the intention to steal merchandise from stores or other businesses without paying for the merchandise.
--a person caught usually will not be arrested if he gets caught stealing items before one gets past
   the cashiers’ area (in this case, the person caught will be a trespasser and will be asked to leave the premises upon threat of arrest for trespass)
--the shoplifter who runs out of the store or business with stolen merchandise to avoid being captured by police can face more charges, such as resisting arrest and/or eluding police

Defenses to a Retail Theft/Shoplifting Charge
--the person arrested has no criminal record
--the person who shoplifted did not intend to do any other crimes
--the person showed remorse or apologized to the business where one had shoplifted
--the person had a valid receipt of proof of purchase with the merchandise
--a person sets off an anti-shoplifting device at the store’s entrance even though the person paid for the items before leaving the store

EXTORTION
--often used in mob talk—the act of using force by way of threats to obtain money from somebody else, with or without a dangerous weapon
--often used also by street gangs when drug deals go bad
--a dangerous weapon used on the person committing the extortion increases the severity of the charges of extortion against that person.

Defenses to Extortion
--the extortion involved low or no sums of money
--the defendant was willing to be arrested for this act without incident
--the defendant showed remorse or took responsibility for the extortion action one has done
--the defendant was unwilling to carry the threat or harm and/or death, and tried to recover
     damages to the person or person(s) being extorted 

TAX EVASION
--basically this means willfully refusing to report taxable income when required to do so under the
tax laws, with the intent to defraud the IRS or state tax agency (that is, you do not reveal how much taxable income you have under false pretenses)
--using what happened to Leona Helmsley, found out that generally when you are sentenced after
a conviction of tax evasion, generally there is a fine of up to $25,000 and/or a jail term of 5 years
--using tax shelters that are forbidden by law in your country or another foreign country might be
   tax evasion
--failing to report taxable income that you have in a foreign bank, foreign trust, or foreign securities or stocks can also be evasion
Defenses to Tax Evasion
---every receipt by the defendant was documented—any receipt, bill, or invoice that was saved
---the defendant’s tax preparer made mistakes in making deductions or finding deductions which were not allowed in the current tax year
---an honest attempt was made by the defendant to pay back taxes, liens, and other penalties for
failure to report taxable income or underreporting of taxable income
--identity was compromised trying to report income or taxable income

PLAGIARISM
--derived from the Latin word, plagiarus, which means “kidnapper”
--a civil offense where the writer, artist, or musician takes someone else’s words, art, graphics, and/or music and passes it off as one’s own creative work
--Intentional plagiarism can lead to possible punitive damages as well as compensatory damages to the
defendant who loses a plagiarism case
--Unintentional plagiarism is the lesser of these civil offenses
Some common types of plagiarism include
A.      Self-plagiarism – the writer, for instance, composes an essay with the same content that one used to send to the professor for a past assignment towards one’s new assignment.
B.      Copying-and-pasting – this is the worst form of intentional plagiarism, where you copy and
paste large amounts of text from the Internet or blogs of other people and pass these off as
one’s own work. (Also, such an act gives grounds to the defendant for additional liability for
copyright infringement.)
C.      Close paraphrasing – mainly this means doing a lot of patchwork phrasing and sentence
arranging (also patchwork style) and other swindling techniques to make the paraphrased
passage so close to the original, without using quotation marks on the gray areas of the
passage.
D.      Unintentional plagiarism – this usually happens when you cite in the wrong format as required
by your professor, or publisher, or editor (for example, using APA instead of required MLA citation format), citing articles that you have never read, or forgetting to put quotation marks on
borrowed passeges even though you may have attributed or indebted the borrowed quotes properly.

Defenses to a plagiarism charge:
----The defendant did not show any intentional “substantial similarity” to the borrowed passages of the work he used
----There was no attribution to any borrowed passage that was common knowledge
----There was an effort by the writer to organize a footnote or endnote page where a list of works cited

     was already done