Friday, October 23, 2009

Making Up My Questions/Answers for My 2002 Doctoral Dissertation

Here are the questions (and my own answers) that I made on my own for my successful defending of my doctoral dissertation lecture-recital script involving the operatic piano transcriptions of Franz Liszt at the University of Illinois at Urbana-Champaign while I was a graduate piano performance major. These questions were taken from my notes in 2002...

Thesis Defense--Study Questions Part I

On Liszt

1. How many oratorios did Liszt compose? If yes, which ones?

2. In 1802, which Liszt daughter died (at the age of 26)?

3. Les Morts, an orchestral work composed in 1859, was inspired

by what event?

4. He left Rome for the last time in what year?

5. He met Carolyne Sayn-Wittgenstein in February 1847 in which

Russian city?

6. Although in 1865 Liszt took the four minor orders of the Roman

Catholich church, did he ever become a priest?

7. He wrote the Hungarian Coronation Mass for the coronation of

this composer of Austria as king of Hungary. Who is he?

8. He studied composition with which Italian composer?

9. He took piano lessons with which German composer?

10. How many symphonic poems did he compose?

11. He wrote a cantat in 1845 for which festival? What was signi-

ficant about this cantata?

12. He and Marie d’Agoult were to marry in Rome (Liszt was about

50 at that time), but what happened?

13. Liszt gave his last concert in September 1847 in which Russian

city?

14. His first daughter, Blandine, was born in Geneva in what date?

15. Describe briefly Ferdinando Paer, Liszt’s theory teacher.

16. His opera, Don Sanche, had its debut in the Paris Opera in

what year?

17. Adam Liszt, his father, died in Boulogne by which disease?

18. He heard Niccolo Paganini for the first time in what date?

19. Why was he denied admission into the Paris Conservatoire?

20. In 1839, Liszt performed as a virtuoso to raise funds for

which organization?

21. He transcribed the piano Berlioz’s Symphonie fantastique in

which year?

22. To whom did Liszt dedicated the Reminiscences of Norma to?

23. How many sections did Liszt take from the origin of Mozart’s

score of the Reminiscences of Don Juan?

24. What was the first opera transcription for piano Liszt

composed?

25. What was the French solidarity slogan above the first page

of the score of Lyon for piano?

26. At one 1841 concert, Liszt and Joseph Massart was going to

play Beethoven’s Kreutzer sonata at one salon, but the fans

shouted for Liszt to play what opera transcription?

27. Did Liszt ever get married?

28. To what key does the Hummel fantasy in E-flat major end?


Other Questions

1. Who wrote the play Aline, where Schubert quotes a passage

of it in his Wandererfantasie?

2. Schumann’s C Major Fantasy had a quote at the end of its first

movement from what Lied?

3. Who wrote the Variations on a theme by Handel, op. 29, in

1834, for keyboard?

4. Who was the pianist on the record album Music From The Golden

Age For Keyboard?

5. Who composed the Don Pasquale fantasy, op. 67, for piano?

6. Who arranged the themes of Strauss in his Symphonic

Metamorphoses on Themes From Johann Strauss’ “Kunsterleben”?

7. The Là ci darem la mano variations by Chopin were featured in
a concert in Vienna, on August 11, 1829, in what theater?
8. Who said this quote:
The prestige of Italian opera was often assayed during the late [18th] and early
[19th] centuries, by propone
nts of comic opera and other natural styles but its
pre-eminent position as
a standard of musical taste was a little disturbed.


Thesis Defense--Study Answers Part I

On Liszt

1.Die Legende von der heiligen Elisabeth (1857-62) and Christus

(1855-66).

2.Blandine.

3.The death of Liszt's son, Daniel.


4.1886.

5.Kiev.

6.No.

7.Emperor Francis Joseph I.

8.Antonio Salieri.

9.Carl Czerny.

10.12.

11.The Beethoven Festival; it was his first work for chorus and

orchestra.

12.The pope revoked his sanction of the PrincessÕ divorce, so the

marriage was annuled.

13.Yeltzavetgrad (now Kirovograd).

14.December 18, 1835.

15.He was the director of the Theatre-Italien in Paris and was a

composer of light operas.

16.October 17, 1825.

17.Typhoid fever.

18.March 1831.

19.He was a foreigner.

20.The Beethoven Memorial Committee.

21.1853.

22.Marie Pleyel.

23.3 sections.

24.Illustrations on Simon Boccanegra (Verdi).

25.Vivre en travillant ou mourir en combattant.

26.Robert le Diable

27.Yes.

28.No.

29.In G major.


On Other Questions

1. Bauerle.

2. An die ferne Geliebte.

3. Ignaz Moscheles.

4. Earl Wild.

5. Sigismond Thalberg

6. Leopold Godowsky

7. At the Karntnertoertheater.

8. Glen Dale Reuhart (The Every Development of Virtuosos Piano

Style)


Saturday, October 17, 2009

What Would I Do If I Was Picked To Host "Saturday Night Live"?

I am starting to rack up a lot of performance art dances. Much more performance art dances than even those contestants I saw lining up today at McCormick Place to audition for "America's Got Talent." 69 dances, I guess. Most of my performance art dances were with my indie bands that I truly adore...Pedway, Whitewolf and Sonic Princess, and Labrador Dali. And Missy Galore's performance art dance antics inspired me to imaging hosting this show. I was a fan of this show in the 1990s....mainly because of the live band.

Very plainly, I am going to make my own script. As a very versatile dancer, I will do a very strong flourish out from the center aisle on where the Saturday Night Live band is playing. Then as I burst out to finish my dance stage bottom center (remember all of this stagecraft lingo?).

In my monologue, I would very likely pay my homage to Sandra Bernhard by perhaps putting on my wig, and do a rather funny "dance" version of "Fever", with the band trumpeter playing out the melody. "Fever" would call for a lot of hip swings reminiscent of belly dancing, so I will try...even if I am not perfect. The end of the monologue will likely then switch to another homage of mine...Debbie Allen. Debbie Allen is very, very real in the dance world. I am going to try to imitate Debbie Allen's dance movements when the SNL band does "Gotta Be Real" (originally sung by Cheryl Lynn). Yea, that disco-soul number known for the "Da...da da....da da....DA, DA, DA" rhythm riff in the chorus.

In the skits (which will likely be a-la-Tony-Orlando-and-Dawn style of skits), I would likely act a woman in one scene, do a burlesque dance in a bar, and a do a cha-cha dance in a ballroom dance skit.

Well, suppose the musical guests on SNL are the Ting Tings. I had saw the Ting Tings at the 2007 Lollapalooza. I liked their music. I know that SNL's musical guests perform one selection, and then, after some skits and more monologues, another musical selection. I would feature myself as a guest performance art dancer as the band performs, and try to dance in the style of Beyonce, but a little crazy something from Beyonce. You probably know that Beyonce and her band was on SNL with their smash hit "Single Ladies". The most memorable part was the ending of the song when Beyonce does a pose in front of the loud drumset. But when the Tings perform, this will be different. I know the Ting Tings do indie dance-techno, so that means straight 4/4 in a style of a Euro dance groove.

In my final words before the credits roll, what would I say? I would say, "Thank you all, good night...for me, The Little Lily of Dancing....has spoken!"

Well, this may not be my ultimate fantasy, but, as a blogger, I am doing this for me.......

Thursday, October 15, 2009

Hope Out Of My Economic Recession

In the recession's long lasting rope of about 13 months, I have a glimmer of hope.

Well, with aggressive increasing of my Facebook friends, I will have a chance of getting a new job or perhaps a contact.