NAME THAT TUNE
The
house band in that game show was cheesy but it was sad that the credits did not
acknowledge the musicians, but it was a setup similar to The Tonight Show With
Johnny Carson—-technically a big band, with a brass section, a rhythm section
with a drummer in the center, and a
keyboardist with a conductor. In my further
research, this seemed almost like an Allyn Ferguson band setup—the band who
released the “Barney Miller” theme song (as mentioned earlier).
Tom
Kennedy was famous as a host of the show from 1974-81, and I realized that the voice-over
at the time was Jules Harlon (the man who mentioned the game prizes’ and some
of the end credits, etc.), but I did not care about
both of these people.
The
structure of the game was a little bit like Family Feud with red
plunger buttons that set off an alarm sound effect
just before the contestant answers. The Golden Medley, one of the structured
final rounds in that game show, was a little bit like Beat The Clock on another
game show, “The Price Is Right”. But what struck me about the game structure
was the
vast variety of musical tunes from the pop, easy
listening, swing, big-band, and jazz eras that I was exposed to, even if it was
not done in the complete versions (some of the songs only lasted 3-15 seconds,
and when the plunger sounds, the music stops—so it is a little bit like
“musical
chairs”—the game I used to play in Beacon School ).
Kathie
Lee Johnson was the most inspiring lady in the game show, setting up the
buildup to what Vanna White did later on in another game show, Wheel of
Fortune. She was born on August 16, 1953 and was formerly Kathie Lee Epstein,
and she joined up with a group called
Being first raised in a town called Bowie , Maryland
(her birthplace), I did not yet know at that time that Kathie was known as the
“La La Girl”, on that game show, because when she sings with
the house band, the titles of the songs the
contestants need to answer would be replaced by “la la” syllables. In my
autistic mind, I secretly called her “The Little Jean” (not just the
aforementioned “La La Girl”) —because to me, the name Jean is perceived to me
as something with a sense of fullness and extroversion, but at the same time, a
strong dose of gentleness. In other words, when she sings the songs, she
strongly expresses herself as musically as she can, but in doing this, her dancing
was controlled—she dances during some songs, but she doesn’t do it too
wildly. Her vocal style, overall, is a
little bit like her being in the Keith Textor Singers and Band—her singing
with the house band was worthy of her being in that
band that was famous on Sesame
Street , even though she was not appointed to sing
for that ensemble. She also reminded me of Karen Carpenter,
a singer and drummer who was famous at that time.
Regrettably, after 1980, Kathie Lee Johnson was dropped from singing in
future Name That Tune episodes, which made me a bit maudlin.
WHEEL OF FORTUNE
In my
perceptions, this game show was definitely based on the casino game known as
roulette, and add a bit of a twist on solving crossword puzzles and you get the
meat of what the game is all about. I have seen this show in the 1970s over 100
times already probably
because I loved all of the variety in it—from the
colorful indications of money values on the spinning wheel all the way to that
“Eeeeehhhh” buzzer when a contestant utters the wrong letter in the attempt to
solve the puzzle.
In the
movie “Rainman” (with more details in it mentioned later in the book),
character Raymond Babbitt was known to recite perfectly the script of the opening
mentioned by the voice-over at the start of the Wheel of Fortune game. But I
had reluctance to recite the famous open for
the show—unlike the character. I usually wanted to
feel much more introvert at that time. Pat
Sajak and Vanna White had run the helm of the show for over 25 years or so, but
I do not know why they had been on for so, so long.
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